here is the NFO file from Indietorrents
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Cabaret Voltaire – Eight Crepuscule Tracks
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Artist……………: Cabaret Voltaire
Album…………….: Eight Crepuscule Tracks
Genre…………….: Industrial
Source……………: NMR
Year……………..: 1987
Ripper……………: NMR
Codec…………….: LAME 3.99
Version…………..: MPEG 1 Layer III
Quality…………..: Extreme, (avg. bitrate: 261kbps)
Channels………….: Joint Stereo / 44100 hz
Tags……………..: ID3 v1.1, ID3 v2.3
Information……….:
Ripped by…………: NMR
Posted by…………: blahdebunt on 26/01/2015
News Server……….:
News Group(s)……..:
Included………….: NFO, LOG
Covers……………: Front Back CD
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Tracklisting
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1. Cabaret Voltaire – Sluggin Fer Jesus (Part One) [05:04]
2. Cabaret Voltaire – Sluggin Fer Jesus (Part Two) [04:23]
3. Cabaret Voltaire – Fools Game – Sluggin Fer Jesus (Part Three)[07:15]
4. Cabaret Voltaire – Yashar [05:02]
5. Cabaret Voltaire – Your Agent Man [02:42]
6. Cabaret Voltaire – Gut Level [09:38]
7. Cabaret Voltaire – Invocation [06:22]
8. Cabaret Voltaire – Theme From Shaft [04:09]
Playing Time………: 44:39
Total Size………..: 83.87 MB
NFO generated on…..: 26/01/2015 19:33:38
:: Generated by Music NFO Builder v1.21b – www.nfobuilder.com ::
Cabaret Voltaire – Eight Crepuscule Tracks
Released: 1987
Label: Normal/Les Disques du Crepuscule
Catalogue number: NORMAL 59 CD/TWI 749
Made in Austria by KOCH
All songs written and composed by Kirk/Malinder/Watson
except “Theme From Shaft” by Isaac Hayes
Stephen Mallinder
Richard H. Kirk
Chris Watson
Produced by Cabaret Voltaire
http://vinyl301.com/wp-content/uploads/2013/11/Cabaret-Voltaire-8-Crepuscule-Tracks.jpg
Review by Ned Raggett
An expansion of the original Three Crepuscule Tracks, Eight compiles a variety of slightly random tunes from the group’s early-’80s days for general consumption. The main cuts are the first, namely the three parts of “Sluggin fer Jesus.” If this cut wasn’t the first attempt at what would become one of the most common and ultimately most cliched elements in ’80s industrial/EBM — a found-sound tape of an American evangelist over a dance groove — then it was close. Admittedly, at this stage Cabaret Voltaire wasn’t dealing in the kinds of massive “up yours” rhythm assaults later groups like Front 242 would perfect, but the jittery, reggae/dub-touched beats and arrangement on the first part are still fine stuff from the group. The second part starts with just the preacher (or perhaps another one) asking for yet more money, followed by instrumental snippets of the band fading up and then cutting out back into low synth/production murk. The final part, titled “Fools Game,” has a heavily tweaked semi-rap and more crazed pastoral ranting floating around a combination of an older, emptier style of Cabaret Voltaire sonics and slight, but only slight touches of the electro-funk then making waves. The remainder of the collection is a bit of a mixed bag, but still has some sharp bits. “Yashar,” unexpectedly reappearing here from 2 x 45, kicks out a stiff beat and jam pretty well, while much of the latter half of the collection explores the balance between shadowy and more smooth beats and production. The unexpected but still successful surprise wrapping Eight up is nothing other than a surprising faithful if still murky cover of Isaac Hayes’ funk classic “Theme from ‘Shaft’.” Hearing Mallinder go on about the guy who’s “the sex machine to all the chicks” via vocal trickery that makes him sound like he’s in a cave is amusing no matter how you slice it.